Play on Words

full length · drama

The Old Bachelor: A Comedy

16 roles (0M / 0F / 16 any) · approx 131–182 minutes · 5 acts

Royalty-free Public domain — free to read, perform, and adapt. No licence needed.

Characters

Bell lead 152 speeches
Sharp supporting 119 speeches
Sir Jo supporting 89 speeches
Vain supporting 66 speeches
Heart supporting 64 speeches
Belin supporting 64 speeches
Fond supporting 61 speeches
Læt supporting 61 speeches
Aram supporting 58 speeches
Bluff supporting 52 speeches
Lucy minor 46 speeches
Set minor 31 speeches
Silv minor 28 speeches
Setter minor 24 speeches
Bar minor 6 speeches
Foot minor 5 speeches

Read the play

BELLMOUR, BELINDA, ARAMINTA, _and_ VAINLOVE.

Vain. Oh, ’twas frenzy all: cannot you forgive it? Men in madness have a title to your pity. [_To_ ARAMINTA.]

Aram. Which they forfeit, when they are restored to their senses.

Vain. I am not presuming beyond a pardon.

Aram. You who could reproach me with one counterfeit, how insolent would a real pardon make you! But there’s no need to forgive what is not worth my anger.

Belin. O’ my conscience, I could find in my heart to marry thee, purely to be rid of thee—at least thou art so troublesome a lover, there’s hopes thou’lt make a more than ordinary quiet husband. [_To_ BELLMOUR.]

Bell. Say you so? Is that a maxim among ye?

Belin. Yes: you fluttering men of the _mode_ have made marriage a mere French dish.

Bell. I hope there’s no French sauce. [_Aside_.]

Belin. You are so curious in the preparation, that is, your courtship, one would think you meant a noble entertainment—but when we come to feed, ’tis all froth, and poor, but in show. Nay, often, only remains, which have been I know not how many times warmed for other company, and at last served up cold to the wife.

Bell. That were a miserable wretch indeed, who could not afford one warm dish for the wife of his bosom. But you timorous virgins form a dreadful chimæra of a husband, as of a creature contrary to that soft, humble, pliant, easy thing, a lover; so guess at plagues in matrimony, in opposition to the pleasures of courtship. Alas! courtship to marriage, is but as the music in the play-house, until the curtain’s drawn; but that once up, then opens the scene of pleasure.

Belin. Oh, foh,—no: rather courtship to marriage, as a very witty prologue to a very dull play.

Monologues from this play