Play on Words

full length · satire

The Inspector-General

21 roles (17M / 4F) · approx 146–201 minutes · 5 acts

Royalty-free Public domain — free to read, perform, and adapt. No licence needed.

Characters

Khlestakov lead 234 speeches
Governor lead 171 speeches
Anna supporting 87 speeches
Artemy supporting 48 speeches
Osip supporting 46 speeches
Ammos minor 43 speeches
Marya minor 43 speeches
Postmaster minor 40 speeches
Dobchinsky minor 38 speeches
Bobchinsky minor 37 speeches
Servant minor 25 speeches
Luka minor 21 speeches
Merchants minor 12 speeches
Korobkin minor 11 speeches
Mishka minor 9 speeches
Captain minor 7 speeches
Widow minor 6 speeches
All minor 5 speeches
Judge minor 5 speeches
Svistunov minor 4 speeches
Postilion minor 4 speeches
Korobkin'S Wife minor 4 speeches
Luka Lukich minor 3 speeches

Read the play

Khlestakov and Marya Antonovna.

Marya. Oh!

Khlestakov. What frightened you so, mademoiselle?

Marya. I wasn't frightened.

Khlestakov. [showing off] Please, miss. It's a great pleasure to me that you took me for a man who--May I venture to ask you where you were going?

Marya. I really wasn't going anywhere.

Khlestakov. But why weren't you going anywhere?

Marya. I was wondering whether mamma was here.

Khlestakov. No. I'd like to know why you weren't going anywhere.

Marya. I should have been in your way. You were occupied with important matters.

Khlestakov. [showing off] Your eyes are better than important matters. You cannot possibly disturb me. No, indeed, by no means. On the contrary, you afford me great pleasure.

Marya. You speak like a man from the capital.

Khlestakov. For such a beautiful lady as you. May I give myself the pleasure of offering you a chair? But no, you should have, not a chair, but a throne.

Marya. I really don't know--I really must go [She sits down.]

Khlestakov. What a beautiful scarf that is.

Marya. You are making fun of me. You're only ridiculing the provincials.

Khlestakov. Oh, mademoiselle, how I long to be your scarf, so that I might embrace your lily neck.

Marya. I haven't the least idea what you are talking about--scarf!--Peculiar weather today, isn't it?

Khlestakov. Your lips, mademoiselle, are better than any weather.

Marya. You are just saying that--I should like to ask you--I'd rather you would write some verses in my album for a souvenir. You must know very many.

Khlestakov. Anything you desire, mademoiselle. Ask! What verses will you have?

Marya. Any at all. Pretty, new verses.

Khlestakov. Oh, what are verses! I know a lot of them.

Marya. Well, tell me. What verses will you write for me?

Khlestakov. What's the use? I know them anyway.

Marya. I love them so.

Khlestakov. I have lots of them--of every sort. If you like, for example, I'll give you this: "Oh, thou, mortal man, who in thy anguish murmurest against God--" and others. I can't remember them now. Besides, it's all bosh. I'd rather offer you my love instead, which ever since your first glance--[Moves his chair nearer.]

Marya. Love? I don't understand love. I never knew what love is. [Moves her chair away.]

Khlestakov. Why do you move your chair away? It is better for us to sit near each other.

Marya. [moving away] Why near? It's all the same if it's far away.

Khlestakov. [moving nearer] Why far? It's all the same if it's near.

Marya. [moving away] But what for?

Khlestakov. [moving nearer] It only seems near to you. Imagine it's far. How happy I would be, mademoiselle, if I could clasp you in my embrace.

Marya. [looking through the window] What is that? It looked as if something had flown by. Was it a magpie or some other bird?

Khlestakov. [kisses her shoulder and looks through the window] It's a magpie.

Marya. [rises indignantly] No, that's too much--Such rudeness, such impertinence.

Khlestakov. [holding her back] Forgive me, mademoiselle. I did it only out of love--only out of love, nothing else.

Marya. You take me for a silly provincial wench. [Struggles to go away.]

Khlestakov. [still holding her back] It's out of love, really--out of love. It was just a little fun. Marya Antonovna, don't be angry. I'm ready to beg your forgiveness on my knees. [Falls on his knees.] Forgive me, do forgive me! You see, I am on my knees.

Monologues from this play