The Arcola Theatre in Dalston recently hosted the UK premiere of “Cry-Baby, The Musical,” a production that brought a mix of rock and roll to the stage. Originating from John Waters’ 1990 cult classic film, the musical adaptation made its debut in 2007 and reached Broadway in the subsequent year. The European premiere took place last year, leading to its current run in the UK. Set in 1954 Baltimore, the narrative revolves around Allison, a wealthy girl who falls for Cry-Baby, a rebel with a cause, amidst escalating tensions between the “Squares” and the “Drapes.”

Mark O’Donnell and Thomas Meehan’s adaptation infuses humor into the storyline, drawing parallels to the likes of “Grease” with its innocent-girl-meets-bad-boy trope. While the production exudes comedic flair and witty dialogue, it occasionally wavers in defining its distinct tone. The musical’s charm lies in its original songs by David Javerbaum and Adam Schlesinger, which cleverly mimic the sounds of the era, evoking nostalgia with a modern twist.

The intimate setting of the Arcola Theatre, despite its limited capacity, accommodated the sizable 17-member cast, showcasing the venue’s versatility and commitment to diverse theatrical experiences. Directed by Mehmet Ergen, the production utilized every inch of space creatively, although some logistical challenges arose due to the cast size. Notably, technical glitches such as live microphones left on inadvertently detracted from an otherwise stellar performance.

Adam Davidson’s portrayal of Cry-Baby and Chad Saint Louis’s rendition of Dupree W. Dupree stood out for their charismatic performances and exceptional vocal talents. Lulu-Mae Pears as Allison brought warmth and depth to her character, while Eleanor Walsh’s portrayal of Lenora added a delightful eccentricity to the production. The show’s ensemble cast delivered memorable musical numbers, enriching the overall experience with their energy and chemistry.

Despite minor flaws, “Cry-Baby, The Musical” offers a refreshing blend of entertainment and social commentary, catering to audiences seeking a lighthearted theatrical experience. The production’s grandeur and ambition, coupled with the Arcola Theatre’s innovative approach, underscore the potential of smaller venues in delivering high-quality performances. As the show continues its run, it promises to evolve and refine its already promising presentation, inviting theatergoers to immerse themselves in a world of rockabilly rebellion and infectious melodies.