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Sydney Theatre Company’s Record Revenue Amid Financial Challenges

The Sydney Theatre Company has seen a surge in revenue, reaching a record high in its 45-year history. This financial boost came from successful tours of various productions, including RBG, of Many, One, and Julia, extending to Brisbane, Melbourne, and Adelaide. Additionally, royalties from The Picture of Dorian Gray contributed to the company’s remarkable $47 million revenue.

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Despite this achievement, the company faced challenges, such as a drop in philanthropic donations following actors’ pro-Palestine protests in 2023. This setback, coupled with other financial factors, resulted in an $8.7 million operating deficit by the end of 2024.

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STC’s Chief Executive, Anne Dunn, acknowledged the need for additional investment to enhance financial sustainability and support new works. Discussions with government funders are ongoing to secure the necessary resources for future success.

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While STC navigated financial hurdles, the Melbourne Theatre Company managed to achieve a modest surplus in 2024, thanks in part to revenue from successful productions like Julia and A Streetcar Named Desire. However, the cost-of-living crisis impacted ticket sales, leading to a slight decline in overall revenue.

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In 2024, STC faced controversy when cast members of The Seagull displayed solidarity with Gaza, leading to donor withdrawals and the resignation of the company’s chair. Despite these challenges, STC continued to innovate under the leadership of artistic director Kip Williams.

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STC’s strategic decision to tour productions interstate paid off, attracting over 500,000 attendees in 2024, with a significant portion coming from outside Sydney. The success of The Picture of Dorian Gray on London’s West End further solidified the company’s standing in the global theater scene.

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As STC strives for financial stability and artistic excellence, the industry’s dynamics and challenges remain ever-present. The need for innovative funding models and strategic partnerships underscores the evolving landscape of theater and the imperative for companies to adapt and thrive in a competitive market.

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