Stephen Sondheim’s final musical, “Here We Are,” offers a unique blend of two films by Luis Buñuel, reflecting Sondheim’s passion for cinema that dates back over four decades. The production, a collaborative effort with director Joe Mantello and book writer David Ives, marks Sondheim’s legacy in the world of theatre. Despite some signature Sondheim sparks, the class satire in this swansong may not hit the mark as effectively as intended.
The plot of “Here We Are” is a complex rearrangement of Buñuel’s iconic social satires, “The Discreet Charm of the Bourgeoisie” and “The Exterminating Angel.” The narrative unfolds with a mix of humor and surrealism, exploring the lives of the privileged 1%. While the energetic performances by the cast inject vibrancy into the production, there are moments of inconsistency in vocal delivery. Notably, Paulo Szot’s operatic depth and Chumisa Dornford-May’s strong vocals stand out among the ensemble.
As the story progresses, the transition from movement to stasis becomes evident, leading to moments of stagnation despite urgent thematic warnings. The musical score, undeniably Sondheim’s, lacks a standout or memorable tune, and the lyrics, while containing elements of satire, occasionally fall short with banal rhymes. The show’s exploration of existential themes and the unraveling of the characters in the second act add depth to the narrative, yet the class satire could have been more pronounced.
The visual spectacle of David Zinn’s set design contributes to the production’s allure, creating an atmosphere that blurs the line between reality and hallucination. However, the execution of the script and music may leave some audiences wanting more depth and complexity in character development. The play’s exploration of societal divides and existential themes echoes the works of literary giants like Jean-Paul Sartre, yet the impact of these ideas may dissipate quickly after the final curtain falls.
Overall, “Here We Are” offers a thought-provoking theatrical experience that delves into themes of privilege, societal constraints, and the human condition. While the production showcases moments of brilliance and creativity, it may not fully capture the depth and emotional resonance that audiences have come to expect from Sondheim’s work. Despite its ambitious premise and visual splendor, the play falls short of delivering a truly immersive and impactful theatrical journey.
📰 Related Articles
- Stephen Sondheim’s ‘Here We Are’ Redefines Musical Silence
- Why Liverpool’s “Soccer odds” Against Chelsea Are a Smart Bet
- Why Are Labubu Dolls the Latest Weird News Craze Among Collectors?
- Why Are Electric Scooters Gaining Popularity in India’s Transportation Landscape?
- Why Are Ballet Flats a Timeless Fashion Choice for Style Enthusiasts?