full length · drama
Fiesco; or, the Genoese Conspiracy: A Tragedy
Royalty-free Public domain — free to read, perform, and adapt. No licence needed.
Characters
| Fiesco | lead | 312 speeches |
| Moor | supporting | 112 speeches |
| Verrina | supporting | 107 speeches |
| Gianettino | supporting | 87 speeches |
| Bourgognino | supporting | 69 speeches |
| Leonora | supporting | 64 speeches |
| Calcagno | supporting | 61 speeches |
| Julia | minor | 52 speeches |
| Zenturione | minor | 50 speeches |
| Lomellino | minor | 48 speeches |
| Zibo | minor | 42 speeches |
| Bertha | minor | 37 speeches |
| Sacco | minor | 25 speeches |
| Arabella | minor | 17 speeches |
| Andreas | minor | 17 speeches |
| Asserato | minor | 15 speeches |
| German | minor | 10 speeches |
| All | minor | 9 speeches |
| Mask | minor | 7 speeches |
| Rosa | minor | 5 speeches |
| Romano | minor | 5 speeches |
| Sentinel | minor | 5 speeches |
| Sentinels | minor | 4 speeches |
| Sentinels At The Gate | minor | 3 speeches |
Read the play
GIANETTINO DORIA, masked, in a green cloak, and the MOOR, enter in conversation.
Gianettino. Thou hast understood me!
Moor. Well----
Gianettino. The white mask----
Moor. Well----
Gianettino. I say, the white mask----
Moor. Well--well--well----
Gianettino. Dost thou mark me? Thou canst only fail here! (pointing to his heart).
Moor. Give yourself no concern.
Gianettino. And be sure to strike home----
Moor. He shall have enough.
Gianettino. (maliciously) That the poor count may not have long to suffer.
Moor. With your leave, sir, a word--at what weight do you estimate his head?
Gianettino. What weight? A hundred sequins----
Moor. (blowing through his fingers) Poh! Light as a feather!
Gianettino. What art thou muttering?
Moor. I was saying--it is light work.
Gianettino. That is thy concern. He is the very loadstone of sedition. Mark me, sirrah! let thy blow be sure.
Moor. But, sir,--I must fly to Venice immediately after the deed.
Gianettino. Then take my thanks beforehand. (He throws him a bank-note.) In three days at farthest he must be cold.
[Exit.
Moor. (picking up the note) Well, this really is what I call credit to trust--the simple word of such a rogue as I am!
[Exit.
Monologues from this play
- Verrina monologue (Act 1) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Verrina monologue (Act 1) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Fiesco monologue (Act 2) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Andreas monologue (Act 2) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Lomellino monologue (Act 2) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Fiesco monologue (Act 2) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Fiesco monologue (Act 2) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Moor monologue (Act 3) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Julia monologue (Act 4) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Fiesco monologue (Act 4) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Leonora monologue (Act 4) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Leonora monologue (Act 4) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Leonora monologue (Act 4) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Bertha monologue (Act 5) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Fiesco monologue (Act 5) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Fiesco monologue (Act 5) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Fiesco monologue (Act 5) — Fiesco; or, the Genoese Conspiracy: A Tragedy
- Verrina monologue (Act 5) — Fiesco; or, the Genoese Conspiracy: A Tragedy