Play on Words

full length · drama

John the Baptist: A Play

39 roles (0M / 0F / 39 any) · approx 113–156 minutes · 9 acts

Royalty-free Public domain — free to read, perform, and adapt. No licence needed.

Characters

John lead 208 speeches
Herod supporting 139 speeches
Salome supporting 117 speeches
Herodias supporting 100 speeches
Josaphat supporting 60 speeches
Miriam minor 30 speeches
Gaoler minor 27 speeches
Amasai minor 23 speeches
Manassa minor 22 speeches
Eliakim minor 21 speeches
Vitellius minor 20 speeches
Matthias minor 19 speeches
Gabalos minor 18 speeches
First Galilean minor 18 speeches
Jael minor 17 speeches
Amarja minor 16 speeches
Pasur minor 15 speeches
The People minor 12 speeches
Abi minor 11 speeches
Mesulemeth minor 11 speeches
Second Soldier minor 10 speeches
Maecha minor 10 speeches
Hachmoni minor 8 speeches
Merokles minor 8 speeches
Second Galilean minor 8 speeches
First Soldier minor 6 speeches
Third Soldier minor 6 speeches
First Priest minor 6 speeches
Jabad minor 6 speeches
The Boy minor 6 speeches
First Woman minor 5 speeches
Marcellus minor 5 speeches
Hadidja minor 4 speeches
The Citizen minor 4 speeches
Simon The Galilean minor 4 speeches
Call minor 4 speeches
Citizen minor 3 speeches
Jorab minor 3 speeches
Another minor 2 speeches

Read the play

_The former. Josaphat, Matthias, Amarja, Manassa._

John. [_Going forward to him._] Where is the Galilean?

Manassa. I have sought Him, master, from the hour thou sentest me till past midnight. I have not rested nor tasted a crumb.

John. The Galilean? Hast thou found Him?

Manassa. I found him. He lay stretched out on the stones in charge of the soldiers, and near him, in chains, was his murderer.

Amarja. Who, on the holy eve of the Passover----?

Manassa. They called him David the Zealot. The Galileans blaspheme God, he hath said, and therefore must this one die.

Josaphat. It is true; he did blaspheme God.

Matthias. He blasphemed God!

John. But I say unto you ... To him it was not blasphemy. To him it was worship. Methinks more such men will come out of Galilee. For there is an uprising there.... Tell me, Josaphat, do not many pilgrims sleep on the stones at night, nigh the doors of the Temple?

Josaphat. Yes, Rabbi. On starry nights, like these, many a one wraps himself in his blanket and tarries by the House of the Lord.

John. [_In sudden decision._] It is well. [_Exit._

Matthias. Rabbi!

Amarja. Hath he deserted us?

Josaphat. Be not troubled! Thou, Amarja, wake our friends. Thou, Manassa, bring us tidings from the Palace. We two will follow the master. Meet us at the Susan Gate, at the place where the old beggar-woman sits. Come! [_Exeunt the men._]

Miriam. [_Who has stood unheeded, goes out with bowed head._]

CHANGE OF SCENE

_A stone square before the open gate of the Temple called the Susan Gate. The front of the stage is enclosed by the circuit of the outer wall. In the centre more than half the breadth of the stage is taken up by the massive doors of the gate, to which steps lead. It is night. The fire of the great sacrificial altar is reflected from the background on the walls, and fills the foreground with red, uncertain flickering glow._

Monologues from this play