Play on Words

full length · drama

Shakespeare Study Programs; The Comedies

10 roles (0M / 0F / 10 any) · approx 154–213 minutes · 36 acts

Royalty-free Public domain — free to read, perform, and adapt. No licence needed.

Characters

Queries For Discussion lead 73 speeches
Query For Discussion supporting 11 speeches
Points supporting 7 speeches
Vi minor 6 speeches
Vii minor 6 speeches
Ii minor 4 speeches
Iii minor 4 speeches
Iv minor 4 speeches
Viii minor 4 speeches
Ix minor 3 speeches

Read the play

BASSANIO'S LUCK AND ANTHONIO'S LOSS

Shakespeare's creed of love as engendered in the eyes may be illustrated by passages in many other plays as well as this. What is meant by it?

Is Bassanio's daring in venturing so much for his chance with Portia itself a sign of his fitness, or the reverse? How is his casket significant of this test-stone--i.e., adventurousness?

Is the match of Nerissa and Gratiano an irrelevance to Portia's and Bassanio's courtship or an enhancement of their happiness? Show how the two points of climax in event and feeling balance absolutely but do not sacrifice each other? Are Shakespeare's experiments in bold juxtaposition of extreme fortune and happiness and utterly irretrievable devastation anywhere so poignant as the arrival of Anthonio's letter at the betrothal of Bassanio and Portia?

Queries For Discussion. Is the secret of Bassanio's adventurousness the supreme honor in which he holds love? Nothing else being of so much consequence, he yields everything to love. Does Jessica, also?

The "manners" of Portia, according to Gildon, "are not always agreeable or convenient to her Sex and Quality; particularly where she scarce preserves her modesty in the expression." What is to be thought of this?

Is Anthonio's letter characteristic of his nobleness as a friend, or is it too insistent upon bringing Bassanio to him, since to send such a letter was equivalent to fetching him?

Is it Portia's best warrant as a noble bride and wife that she appreciates Anthonio's message and friendship?

Monologues from this play