Play on Words

full length · drama

The Daughter of Heaven

32 roles (0M / 0F / 32 any) · approx 169–233 minutes · 1 acts

Royalty-free Public domain — free to read, perform, and adapt. No licence needed.

Characters

Empress lead 131 speeches
Emperor lead 95 speeches
Faithful Prince supporting 69 speeches
Fount supporting 48 speeches
Arrow-Bearer minor 21 speeches
Tartar General minor 20 speeches
Golden Lotus minor 16 speeches
Winged Prince minor 15 speeches
Tranquil Beauty minor 14 speeches
Pearl minor 12 speeches
Child minor 8 speeches
Fir-Sapling minor 7 speeches
All minor 7 speeches
Humpback minor 6 speeches
Cinnamon minor 6 speeches
Astrologer minor 6 speeches
The Child minor 6 speeches
Veiled-Light minor 5 speeches
Rock minor 4 speeches
Strong-Arm minor 4 speeches
Second Spy minor 4 speeches
The Grand Mistress minor 3 speeches
Poplar minor 3 speeches
Officer minor 3 speeches
First Spy minor 3 speeches
Wan-Tsi minor 3 speeches
Watchman minor 3 speeches
Second Woman minor 3 speeches
The Crowd minor 3 speeches
Third Officer minor 3 speeches
Fourth Officer minor 3 speeches
Second Tableau minor 2 speeches

Read the play

_The_ EMPEROR _and_ FOUNT-IN-THE-FOREST

Fount. They are pretty.

Emperor. And so gracefully dressed! It makes me regret the fact that my victorious ancestors imposed the Tartar costume on the people. These Chinese robes are so much more beautiful.

Fount. They make the women appear more slender and delicate.

Emperor. Do all the inhabitants of the city garb themselves in the old way?

Fount. In their homes, no doubt, they do. Out of doors, in the streets, they still keep up a pretence of wearing the new.

Emperor. The Viceroy whom I sent to Nanking is certainly not ignorant of all this. Why has he not informed us?

Fount. Your Viceroy, Sire, is not a Tartar, but a Chinese, which means that he espouses the cause of the rebels. Yet at Peking, outside the walls of your Palace of Eternal Silence, what goes on is fairly well known. While you are dreaming of ultimate peace, they are preparing for war.

Emperor. Alas!----

[_Trumpets, xylophones and gongs are heard in turn, each five times. Then the watchmen pass slowly._]

Fount. The fifth watch.

Emperor. Must we go in?

Fount. Not yet. The Empress is going to the Temple of her Ancestors. That will give us a little time.

Emperor. The Empress!----In a few moments I shall see Her! The beautiful vision I have dreamed of is to be destroyed by the actuality----Ah! this woman, who must have the uttermost horror for me, can have no idea that for months past she has filled all my thoughts, has haunted my solitary hours. If She only knew that the phantom Emperor, isolated in his palace at Peking, wrote poems in her honour night after night!----

Fount. She is said to be beautiful and charming, but that is perhaps only a courtier's tale.

Emperor. If She is not, then my sacrifice will be only the more meritorious.

Fount. Ah! see, there she comes. She is crossing the garden, and, as no one is here, her palanquin is wide open.

Emperor. Ah!

[_Through the flowering bushes he gazes ardently at her. The sound of a march is heard._]

But I recognise Her, my friend, that woman so beautiful and tender, so noble and delicate, that rare, that imperial flower!----Friend, what do you think of this omen? It is She, absolutely She--She whom I have seen reflected in the mirror of my dreams----

Fount. The eyes of the dragon traverse all space.

[_The_ EMPEROR _seats himself again on the bench, leaning on_ FOUNT-IN-THE-FOREST, _almost fainting._]

Emperor. See how this emotion shatters my strength!

Fount. You are like the sacred lyre, whose strings vibrate at the slightest inspiration.

Monologues from this play