NAISDA recently concluded a successful performance season in Sydney, showcasing First Nations excellence in performing arts at Carriageworks. The production, the trees have voices, the feet have ears, featured innovative choreography and immersive storytelling that captivated audiences.
Students from NAISDA displayed their creativity and skills through a blend of spoken word, dance film, and captivating visuals. The performance was a culmination of a year-long training program that emphasized individuality and storytelling, reflecting the dedication of the students and the institution’s commitment to nurturing emerging talents.
Kim Walker, the CEO of NAISDA, highlighted the collaborative effort that went into creating the production, acknowledging the contributions of students, choreographers, and cultural tutors. The performance not only showcased the students’ artistic development but also celebrated their cultural heritage and traditions.
The direction of the show was overseen by NAISDA graduates and guest choreographers, adding depth and diversity to the performance. The incorporation of Torres Strait Islander dances and songs, led by Cultural Tutors and Knowledge Holders, provided a unique cultural experience for the audience.
During the opening night, director Vicki Van Hout was honored with the prestigious Australian Dance Award for Outstanding Achievement in Independent Dance, recognizing her significant contributions to the industry. The delayed award presentation due to the pandemic added a special moment to the event.
As the students wrapped up their final assessments, Kim Walker reflected on NAISDA’s achievements in 2024, positioning the institution as a leading arts training organization in Australia. The CEO expressed confidence in the students’ potential to become future leaders in the arts, both on stage and within their communities.
NAISDA’s commitment to nurturing emerging First Nations artists was evident in the quality and depth of the performance, showcasing the institution’s dedication to preserving and promoting Indigenous cultures through the arts. The success of the season underscored NAISDA’s status as a vital contributor to Australia’s cultural landscape.
Looking ahead, NAISDA continues to offer programs that empower young artists to explore their creativity and heritage, ensuring the preservation and evolution of First Nations performing arts in Australia. The legacy of NAISDA’s training programs extends beyond the stage, shaping the next generation of diverse and talented artists who will carry forward the rich traditions of Indigenous storytelling and expression.
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