Play on Words

dramatic · any · ~2 min · 389 words

Alice monologue — The Harlequinade: An Excursion

[As she faces them.] I beg your pardon. Well, that was in seventeen hundred and something. And we skip the eighteen hundreds because they were so busy: too busy to play, except just riotously, and we skip to-day, too, because ... well, really because what we showed you about to-day with bits of "you" put in it might seem rather rude. And we skip to-morrow, because to-morrow really is too serious to make our sort of jokes about. So we go right on to the day after. And you've noticed, haven't you, that we go westward all the time? So next the scene's in America, which you get to through New York. Things have been going from bad to worse with our four poor gods, but what has principally knocked them endways is machinery. Now America is full of machinery. And they can't understand it. For whatever a machine is supposed to do in the end, there's one thing it always seems sure to do in the beginning, if you're not very, very careful. And that is to knock the spirit out of a man. Which is his magic. Clown and Pantaloon and Harlequin and Columbine are very simple folk, you know. They let themselves be just what it's most natural to be, and only try to give their friends in front ... kind friends in front, they call them ... just what will make them happiest quickest. So this is what they've come to be by this time, Clown and Columbine, Harlequin and Pantaloon. No names but those, no meaning, no real part at all in the rattle and clatter of machinery which is now called Life. They're out of it. They clung to the skirts of the theatre for a bit. But the theatre, aching to be "in it", flung them off. The intellectual drama had no use for them, no use at all. And so they found themselves (out of it indeed) busking on the pavement, doing tricks and tumbling and singing silly songs to the unresponsive profiles of long lines of ladies (high-nosed or stumpy-nosed ladies), waiting admittance to the matinées of some highly intellectual play. And with glasses on those noses they'd be reading while they waited the book of that same play: so even then our poor gods busked in vain. But worse, far worse....

Public domain — free to perform in auditions, showcases and productions.