Play on Words

dramatic · any · ~2 min · 325 words

Spitta monologue (Act 1) — The Dramatic Works of Gerhart Hauptmann, Volume II

Walburga, I did more, last night! I flung straight out into my father's face, just as I felt it, my accusation of the crime committed against my sister. And that made the break definite and unbridgeable. He said stubbornly: He had no knowledge of such a daughter as I was describing. Such a daughter had no existence in his soul, and it seemed to him that his son would also soon cease to exist there. O these Christians! O these servants of the good shepherd who took the lost lamb with double tenderness into his arms! O thou good Shepherd, how have your words been perverted; How have your eternal truths been falsified into their exact contrary. But to-day when I sat amidst the flash of lightning and the roll of thunder in the _Tiergarten_ and certain Berlin hyaenas were prowling about me, I felt the crushed and restless soul of my sister close beside me. How many nights, in her poor life, may she not have sat shelterless on such benches, perhaps on this very bench in the _Tiergarten_, in order to consider in her loneliness, her degradation, her outcast estate, how, two thousand years after the birth of Christ, this most Christian world is drenched with Christianity and with the love of its fellow-men! But whatever she thought, this is what I think; the poor harlot, the wretched sinner who is yet above the righteous, who is weighed down by the sins of the world, the poor outcast and her terrible accusation shall never die in my soul! And into this flame of our goals we must cast all the wretchedness, all the lamentations of the oppressed and the disinherited! Thus shall my sister stay truly alive, Walburga, and effect noble ends before the face of God through the ethical impulse that lends wings to my soul, and that will be more powerful than all the evil, heartless parson's morality in the world.

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